SIRUI T2.9 1.6x FULL FRAME ANAMORPHIC

SIRUI Anamorphic lenses for Full Frame Cameras are made from high quality optics and materials to deliver exceptional image quality.

1.25x Anamorphic Adapter

Turn your lens into an anamorphic lens

Provides 2x squeeze when paired with Sirui 1.6x FF Anamorphic lenses

1.25x squeeze anamorphic front element

Oval-shaped bokeh and horizontal flaring

Create a cinematic feel in your videos

82mm filter thread front and rear

Four included adapter rings – 82-92, 82-77, 82-72, 82-67

Built-in focus gears

Manual focus

35mm T2.9 1.6x Anamorphic

Blue or Neutral anamorphic flares

2.8:1 cinematic widescreen vision

1.6x crop anamorphic front element

Fast T2.9 aperture

Oval shaped bokeh and horizontal flaring

58mm filter thread

Built-in focus gears

Manual focus

Mounts

Canon RF, L Mount, Sony E, DJI DL Mount

35mm T2.9 1.6x Anamorphic

2.8:1 cinematic widescreen vision

1.6x crop anamorphic front element

Fast T2.9 aperture

Oval shaped bokeh and horizontal flaring

Create a cinematic feel in your videos

82mm filter thread

Built in focus gears

Manual focus

Mounts

Canon RF, L Mount, Sony E, Nikon Z,

50mm T2.9 1.6x Anamorphic

2.8:1 cinematic widescreen vision

1.6x crop anamorphic front element

Fast T2.9 aperture

Oval shaped bokeh and horizontal flaring

Create a cinematic feel in your videos

82mm filter thread

Built in focus gears

Manual focus

Mounts

Canon RF, L Mount, Sony E, Nikon Z,

75mm T2.9 1.6x Anamorphic

2.8:1 cinematic widescreen vision

1.6x crop anamorphic front element

Fast T2.9 aperture

Oval shaped bokeh and horizontal flaring

Create a cinematic feel in your videos

82mm filter thread

Built in focus gears

Manual focus

Mounts

Canon RF, L Mount, Sony E, Nikon Z,

100mm T2.9 1.6x Anamorphic

2.8:1 cinematic widescreen vision

1.6x crop anamorphic front element

Fast T2.9 aperture

Oval shaped bokeh and horizontal flaring

Create a cinematic feel in your videos

82mm filter thread

Built in focus gears

Manual focus

Mounts

Canon RF, L Mount, Sony E, Nikon Z,

135mm T2.9 1.6x Anamorphic

3.2:1 cinematic widescreen vision

1.8x crop anamorphic front element

Fast T2.9 aperture

Oval shaped bokeh and horizontal flaring

Create a cinematic feel in your videos

82mm filter thread

Built in focus gears

Manual focus

Mounts

Canon RF, L Mount, Sony E, Nikon Z,

150mm T2.9 1.6x Anamorphic

2.8:1 cinematic widescreen vision

1.6x crop anamorphic front element

Fast T2.9 aperture

Oval shaped bokeh and horizontal flaring

Create a cinematic feel in your videos

82mm filter thread

Built in focus gears

Manual focus

Mounts

Canon RF, L Mount, Sony E, Nikon Z,

T2.9 1.6x Anamorphic Lens Kit + 1.25x Anamorphic Adapter

35mm, 50mm, 75mm, and 100mm Focal Lengths

1.25x Anamorphic Adapter

2.8:1 cinematic widescreen vision

1.6x crop anamorphic front element

2x crop when lens combined with 1.25x Adapter

Fast T2.9 aperture

Built-in focus gears

Manual focus

Mounts

Canon RF, L Mount, Sony E, Nikon Z,

Anamorphic lenses have distinct characteristics compared to normal spherical lenses. The most noticeable are oval shaped bokeh and light flares which are synonymous with the "Anamorphic Look".

Sirui T2.9 1.6x Anamorphic lenses are optimised for use with full-frame sensors.
When shooting in different crops, this allows for different aspect ratios. Using a 3:2 sensor, you will achieve a 2.4:1 aspect ratio. When shooting in 16:9, a much wider aspect ratio is achieved at 2.8:1. This wider aspect ratio offers more flexibility when cropping in post.

Typically anamorphic lenses are very large, bulky, and extremely expensive. Sirui has designed compact, lightweight anamorphic lenses with amazing image quality at affordable prices. 
Sirui has a wide range of focal lengths to suit many sensor sizes and camera mounts, with the range being constantly expanded to included new designs and focal lengths. 

Sirui anamorphic lenses are made from aircraft-grade aluminium and use high-quality German Schott glass elements. The elements include high-definition nanocoatings to retain image quality and sharpness. The front element is also coated in a waterproof coating. 

The Sirui range includes 

Full frame – 35mm, 50mm, 75mm, 100mm, 135mm and 150mm. These lenses have a 1.6x squeeze factor and produce a 2.8:1 aspect ratio. The 135mm includes a 1.8x squeeze factor which produces a 3.2:1aspect ratio.
Mounts include – Sony E, Canon RF, Nikon Z, and Panasonic L.

1.6x Anamorphic Squeeze

The lenses use an optically distorting anamorphic front element to squeeze the horizontal axis of the shot by 1.6 times which allows for more information to be fit onto the sensor. This is then stretched back in post-production or in-camera (see manufacturers’ specs for compatibility) to create a wider field of view and ratio compared to a conventional aspherical lens.

High Definition Optics

Premium quality German Schott glass is used in the lens optics to provide high definition resolution. Sirui T2.9 Anamorphic lenses have no issues resolving images on high resolution sensors.

Consistent Ergonomics

Each lens in the range includes an 82mm filter thread, Consistent focus gears, 1/4" mount and a T2.9-22 aperture

What is an Anamorphic Lens?

Anamorphic lenses can capture both horizontal and vertical information in a frame. However, they can capture much wider footage horizontally, compressing it onto the sensor. This allows for a much wider field of view than traditional lenses, which, when ‘desqueezed’ gives videographers the widescreen cinema look. 

What’s even cooler is that anamorphic lenses can be used on both full-frame and crop-sensor cameras. So, if you’re looking to get that signature anamorphic look, you don’t necessarily need to invest in a new camera body. 

The only downside is that traditionally anamorphic lenses have been expensive. Sirui Anamorphic lenses have broken that mould, and Sirui have created a high-performing and budget-friendly Anamorphic range.

What are the benefits of an Anamorphic lens

An anamorphic lens has a lot of benefits. The main one is the ability to shoot in widescreen. Compressing the image horizontally onto the sensor allows for a widescreen capture. This preserves resolution when shooting for cinema or widescreen aspect ratios, as you do not need to crop the image to attain the required aspect ratio. 

Anamorphic lenses offer a unique look, including flares and oval bokeh. Both give the footage a cinematic look which is synonymous with higher-end productions. 

How does an Anamorphic lens work?

An anamorphic lens is a type of lens that captures a wide aspect ratio on film or digital sensors. These lenses are used in cinematography and still photography to give images a unique look. 

Anamorphic lenses have a unique optical design that allows them to capture a wider field of view than traditional lenses. This is accomplished by using a special barrel distortion that compresses the image horizontally. 

The anamorphic look is often characterized by horizontal flares, oval-shaped bokeh, and increased depth of field. Many filmmakers and photographers believe that the anamorphic look lends images a certain “cinematic” quality. 

If you’re interested in giving your images an anamorphic look, you’ll need to purchase an anamorphic lens. 

Are there different types of Anamorphic lenses?

Anamorphic lenses come in a few different varieties, 

The most common anamorphic lenses are 1.33x, 1.6x, and 2x, and these refer to how much the lens squeezes the horizontal image onto the sensor. For instance, a lens with a 1.6x squeeze ratio will capture 1.6 x the width of the focal length. If a 50mm 1.6x lens is used, the vertical focal length will be 50mm, and the horizontal focal length will be equivalent to 31.25mm.

The Sirui range includes both 1.33x and 1.6x anamorphic lenses as well as a 1.25X adapter allowing for up to 2x on the 1.6x lens range. 

Full Frame - Venus

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